The paintings and artifacts used to illuminate the show’s master design – about 90 in all – are drawn principally from those two stellar collections at opposite sides of the United States. Not only have they undertaken to present a branch of religious art with complex influences and iconography, they have tried to achieve the challenging goal of drawing visitors into a path of personal discovery. Carpenter curator of South Asian and Islamic art at the VMFA, and Dr Jeffrey Durham, associate curator of Himalayan art at the Asian Art Museum in San Francisco. The co-curators and authors are Dr John Henry Rice, the E. “With its vast pantheon of multi-limbed divinities inhabiting complicated geometric diagrams and corpse-strewn funeral grounds, Tibetan Buddhist art can be intimidating.” That bold admission leads off the essential catalog that accompanies the show. And then there is Tibetan religious imagery, filled with paths and doors – not to the next room – but far beyond to an expanded view of the universe.Ī new exhibition – “Awaken: A Tibetan Buddhist Journey Toward Enlightenment” – which opened in Richmond at the Virginia Museum of Fine Arts (VMFA) at the end of April and continues through August 18 – tackles the thorny problem head on. A Nineteenth Century portrait of a woman and her favorite horse can be fairly straightforward, while a medieval painting of the same two creatures might be fraught with symbolism. – Interpreting art can be a dangerous pursuit. Asian Art Museum of San Francisco ©Tsherin Sherpa. “The Melt,” 2017, Tsherin Sherpa (Nepalese, b 1968), acrylic, ink and gold on canvas.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |